Directed by Satoshi Kon.
Starring Miyoko Shôji and Mami Koyama.
In a Nutshell: A reclusive actress relives her life during a documentary interview.
I hope this isn’t the only anime film I watch for my blog/journal. I have a great respect and adoration for Japanese animation, but when it’s done well. Most of the Saturday morning garbage and Adult Swim series lose me. Far too much of it is wrapped up in its own fiction and comes off as culturally unfamiliar (Argument for another day). That said, Millennium Actress is a very moving drama that plays with the fabric of reality and just happens to be animated. The movie centers on a fictional movie star named Chiyoko Fujiwara who retreated from the public eye for 30 years. One of her greatest admirers and his cameraman seeks her out for a documentary. Chiyoko treats him to a retelling of what led her to seclusion while the filmmaker and cameraman become immersed in her storytelling. Before becoming an actress, she talks of helping a man escape from Japanese right socialism. He leaves behind a key for safekeeping and her entire life has been to reunite with her love. It’s an innovative plot devise in traveling through time, with film and history, present and past all occupying the same plane.
I hope this isn’t the only anime film I watch for my blog/journal. I have a great respect and adoration for Japanese animation, but when it’s done well. Most of the Saturday morning garbage and Adult Swim series lose me. Far too much of it is wrapped up in its own fiction and comes off as culturally unfamiliar (Argument for another day). That said, Millennium Actress is a very moving drama that plays with the fabric of reality and just happens to be animated. The movie centers on a fictional movie star named Chiyoko Fujiwara who retreated from the public eye for 30 years. One of her greatest admirers and his cameraman seeks her out for a documentary. Chiyoko treats him to a retelling of what led her to seclusion while the filmmaker and cameraman become immersed in her storytelling. Before becoming an actress, she talks of helping a man escape from Japanese right socialism. He leaves behind a key for safekeeping and her entire life has been to reunite with her love. It’s an innovative plot devise in traveling through time, with film and history, present and past all occupying the same plane.
The movie does get confusing since many of the scenes never distinguish whether we are experiencing Chiyoko’s actual life or a movie shoot especially when the two doc-makers also start living her fictional exploits. Her films cover even more of Japan’s history from the Edo (military government) and Meiji (westernized centralized government) periods to a futuristic space age (that also serves as her acting swan song). This narration lends itself to a compelling study on the nature of make-believe and the way it bleeds into our own lives. Anime should not be segregated to its own genre, which is why I would strongly recommend this movie to anyone with a sense for both romance and storytelling. To envision this film in any different medium would be unthinkable given the range of history, the scale of human drama, and the sweeping, line-blurring narrative. It’s a touching tribute to the past and present, our idolization of film, and the pursuit of lost love.
you've sold me...I'll give it a chance if I can find it...
ReplyDelete