Saturday, November 27, 2010

Blast of Silence (1961)


Directed by Allen Baron.
Starring Allen Baron and Molly McCarthy.
In a Nutshell: A hired killer is sent to New York where his past resurfaces.

Devoid of studio varnish, Allen Baron’s independent classic is a bitter tribute to the bare essence of noir. As lean as Samuel Fuller’s best, flavored with John Cassavetes’ emerging expressionism, it digs into the coarse heart of all noir; embittered isolation. Baron stars as hitman Frankie Bono with Lionel Stander’s raspy tenor functioning as his inner monologue. Once in New York on an assignment, Bono is confronted with past melancholies and begins losing the focus that molded his intense professionalism. Shot on a shoestring budget on location, Merrill Brody’s imagery mirrors Bono’s desolation, with ubiquitous shots of Christmas decorations for a wisp of coy irony. Baron tracks nearly every step of Bono, deepening the seething hostility he projects at the city. In his life of slimy dealers and spiteful dames, it is that inward loathing that centers Bono, refining his craft. Blast of Silence projects the noir mood into cold comfort against the suffocating bleakness of day-to-day.


What makes Blast of Silence such an indelible underground hit is how built-in these qualities were. Baron bucked the studio system, effectively alienating himself to roam the city streets. His acting technique is inhibited, but perfect for shading Bono’s unease. The pointed disgust Bono exudes seems to have coalesced with Baron’s ambitions to defy convention, create real film-making by the skin of his teeth. The end result faded quickly from audience consciousness and Baron’s career descended into TV Hell. Blast of Silence shares Bono’s lonely fatalism, with nary a flicker of humanity to be found.

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